Special Collections SKETCHBOOK Introduction Essay pt. 1 Signal Sketchbook pt. 2 Cultural Context pt. 3 The Artwork The Duel 7 The Lancer 8-10d Scenes 12-14 The Army Battle 15-16 The Red Cones 17-18 The Shield Bearer 19-21 The Rear Guard 22 The Riders 23-26 The Raid 27-28d The Sioux final The Story Grizzly Five Hearts Works Cited

A Cayuse-Nez Percé Sketchbook

Works Cited

Anastasio, Angelo
1972 "The Southern Plateau: An Ecological Analysis of Intergroup Relations," Northwest Anthropological Research Notes (Moscow, Idaho), Vol. 6:2,109-229.

Bailey, Robert G.
1947 Return (The Great Salmon River of Idaho). Revised edition, R. G. Bailey Printing Co., Lewiston

Black, Samuel
1829 Report by Chief Trader Samuel Black to the Governor and Committee of the Hudson's Bay Company, dated "Willa Walla" 25 March 1829. Ms. Hudson's Bay Co. Archives, B. 146/e/2.

Cheetham, Robert N.
1963 "Peopeo Thalekt's Artistry in Historical Research" The Record (Washington State University Library), 62-65.

Cohoe
1964 A Cheyenne Sketchbook. Commentary by E. Adamson Hoebel and Karen Daniels Petersen. University of Oklahoma Press, Norman.

Dunn, Dorothy
1968 American Indian Painting of the Southwest and Plains Areas University of New Mexico Press, Albuquerque.
1969 1877: Plains Indian Sketch Book of Zo-Tom & Howling Wolf. With Introduction by Dorothy Dunn. Northland Press, Flagstaff.

Ewers, John C.
1939 Plains Indian Painting: A Description of an Aboriginal American Art. Stanford University Press, Stanford.
1955 The Horse in Blackfoot Indian Culture, With Comparative Material from Other Western Tribes. Smithsonian Institution, Bureau of American Ethnology, Bulletin 159.
1957 Early White Influence Upon Plains Indian Painting: George Catlin and Karl Bodmer Among the Mandans, 1832-34, Smithsonian Miscellaneous Collections, Vol. 134:7
1968 Indian Life on the Upper Missouri. University of Oklahoma Press, Norman.
1968a "Plains Indian Painting: The History and Development of an American Art Form" Introduction to Petersen, 1968.

Farnham, Thomas J.
1843 Travels in the Great Western Praries, the American and Rocky Mountains, and in the Oregon Territory.

Haines, Francis
1955 The Nez Percés: Tribesmen of the Columbia Plateau. University of Oklahoma Press, Norman.

Harper's Weekly 1877 Vol. 21

Mallery, Garrick
1886 "Pictographs of the North American Indians-A preliminary Paper," Fourth Annual Report of the Bureau of American Ethnology . . . 1882-'83.

McWhorter, Lucullus V.
1948 Yellow Wolf: His Own Story. Caxton Printers, Ltd., Caldwell.
1952 Hear Me, My Chiefs! Caxton Printers, Ltd., Caldwell.

Petersen, Karen D.
1968 Howling Wolf:A Cheyenne Warrior's Graphic Interpretation of His People. American West Publishing Co., Palo Alto.
1971 Plains Indian Art From Fort Marion. University of Oklahoma Press, Norman.

Rabineau, Phyllis
(Custodian of Collections, Field Museum of Natural History).
1976 Correspondence on the Brooks robe.

Rodee, Howard D.
1965 "The Stylistic Development of Plains Indian Painting and Its Relationship to Ledger Drawings," Plains Anthropologist, Vol. 10:30, 218-32.

Ross, Alexander
1956 The Fur Hunters of the Far West. Kenneth A. Spaulding, ed. University of Oklahoma, Norman.

Slickpoo, Allen R. Sr.
1973 Noon Nee-me-poo (We, the Nez Percés): Culture and History of the Nez Percés. Vol. One.

Spinden, Herbert J.
1908 The Nez Percé Indians. Memoir 2, American Anthropological Association.

Walker, Deward E., Jr.
1971 American Indians of Idaho. Vol. 1. Aboriginal Cultures. Anthropological Monographs of the University of Idaho, No. 2.

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Last revision: 2/13/08 by N. Helmer
Created by Special Collections & University Archives, University of Oregon Libraries